From a buoyant introduction that provides a sweeping historical and analytic overview of essayists' thinking about their genre—a collective poetics of the essay—to the detailed headnotes offering pointed information about both the essayists themselves and the anthologized selections, to the richly detailed bibliographic sections, Essayists on the Essay is essential to everyone who cares.
Essayists on the Essay “Carl H. Klaus and Ned Stuckey-French have provided an informative guide to how the genre of the essay has been conceptualized and conventionalized in literary history.
Our decision to produce this sourcebook is the result of a conviction that despite the extraordinary growth of interest in the essay during the past twenty-five years—thanks to such important projects as Robert Atwan’s Best American Essays series, Phillip Lopate’s The Art of the Personal Essay, John D’Agata’s The Next American Essay and The Lost Origins of the Essay, and G. Douglas.
Throughout, in full command of the history of the essay, he calls up numerous passages in which essayists themselves acknowledge the element of impersonation in their work, drawing upon the perspectives of Joan Didion, Edward Hoagland, Joyce Carol Oates, Leslie Marmon Silko, Scott Russell Sanders, Annie Dillard, Vivian Gornick, Loren Eiseley, James Baldwin, and a host of other literary guides.
University of Iowa English alumnus Ned Stuckey-French and Carl Klaus, founder of the University of Iowa Nonfiction Writing Program, will read from Essayists on the Essay: Montaigne to Our Time, the book they co-edited for the UI Press, at 7 p.m. Wednesday, July 25, Prairie Lights in Prairie Lights Books.
Carl H. Klaus is the author of Stages of Drama (3.95 avg rating, 73 ratings, 9 reviews, published 1981), Essayists on the Essay (4.00 avg rating, 32 rati.
One of the primary texts for our course will be the essays all of you write and what all of us have to say about your essays in workshops. These workshops, in which we will respond to and learn from the writing done by everyone in the class, will occupy much of our class time. Your purpose in the workshops will be to support each other’s work.
Essayists on the Essay: Montaigne to Our Time. by Carl H. Klaus. Write a review. How does Amazon calculate star ratings? See All Buying Options. Add to Wish List. Search. Sort by. Top rated. Filter by. All reviewers. All stars. Text, image.
Carl H. Klaus and Ned Stuckey-French (2012). Essayists on the Essay: Montaigne to Our Time. Gertrude Himmelfarb (2009). The Spirit of the Age: Victorian Essays. John Gross (2008). The Oxford Book of the Essay. Ian Hamilton (2000). The Penguin Book of Twentieth-Century Essays. Denise Gigante (2008). The Great Age of the English Essay.
By reconceiving the most fundamental aspect of the personal essay—the I of the essayist—Klaus demonstrates that this seemingly uncontrived form of writing is inherently problematic, not willfully devious but bordering upon the world of fiction.
Assay has compiled a list of resources from our journal and In the Classroom blog (2014-present) to assist teachers and writers at all levels of writing and teaching nonfiction. We intend this resource to be a starting point--we have much more for you in the pages of our journal, so don't stop reading here. Don't forget to take a look through our Syllabi Bank, our searchable Best American.
Most of the essays selected are in the public domain due to the expiration of copyright. The following texts are indicative of the reading to be done: - A J Butryn, Essays on the Essay: Redefining the Genre (University of Georgia Press, 1989). - Carl H Klaus, Essayists on the Essay: Montaigne to Our Time (University of Iowa Press, 2012).
R. Lane Kauffmann’s essay deserves special mention for a lucid gloss of continental philosophy’s treatment of the essay. Essayists on the Essay: Montaigne to Our Time. Eds. Carl H. Klaus and Ned Stuckey-French. Iowa City: U of Iowa P, 2012.
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Welcome to The Assay Interview Project, a collection of conversations with nonfictionists who are stretching the boundaries of what is possible in the genre, from the written form to video essays and documentary filmmaking. The purpose of the project is to celebrate underrepresented writers, underrepresented texts, and underrepresented forms in our continued work to contribute to the literary.
But the “person” in a personal essay is always a written construct, a fabricated character, its confessions and reminiscences as rehearsed as those of any novelist. In this first book-length study of the personal essay, Carl Klaus unpacks this made-up self and the manifold ways in which a wide range of essayists and essays have brought it to life.
A special page devoted to Essayists on the Essay can be found on Facebook. Klaus’s literary nonfiction includes My Vegetable Love, Weathering Winter, Taking Retirement, and Letters to Kate —essayistic works in the form of diaries and letters that reflect on his life and marriage, on gardening and food, on work and retirement, and on his abiding concern with time, change, and mortality.
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The first historically and internationally comprehensive collection of its kind, Essayists on the Essay is a path-breaking work that is nothing less than a richly varied sourcebook for anyone interested in the theory, practice, and art of the essay. This unique work includes a selection of fifty distinctive pieces by.